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Stencil Printing, which has been a communication tool since primitive times, creates a representation space in many different fields from the military to today's street arts. Considering this representation area and stencil printing technique through the concept of "void", the spatial relationship of the empty and the full is reconsidered with paper templates. The templates produced by abstracting from the spatial layers overlapped each other and shaped the printing process.
Gülsen Şenol & Kadir Çıtak
Organized by Kent Düşleri Atölyeleri
TMMBO Mimarlar Odası Büyükkent Şubesi
Coordinator of workshops
Held in Mimar Sinan Fine Art University
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